A 1933 vintage animated short brought back in colour and clarity for holiday viewing, now presented in 8K 60FPS FUHD and reframed to clean full-screen 16:9 from an archival 4:3 1080p source. This restoration includes meticulous re-timing, cleanup, de-flicker, de-noise, grain management, colour reconstruction and upscale, while respecting the age and limitations of the surviving materials. The underlying 1933 short is widely circulated as public domain; any copyright can only concern new restoration elements, not the public-domain footage itself.

Casper – True Boo is a 1952 Technicolor-era Casper the Friendly Ghost cartoon from Famous Studios and Paramount. On Halloween night, gentle Casper befriends a timid boy named Freddie, and when local bullies try to terrify him, Casper steps in to help, turning fright into friendship in the warm, sentimental style typical of early-1950s Casper shorts.

Christmas Comes But Once a Year (1936) is a Fleischer Studios / Paramount Color Classics short starring Professor Grampy. On a bleak Christmas morning in a gloomy orphanage, the children wake to broken toys and disappointment—until Grampy arrives, raids the cupboards and closets, and uses his inventive genius to transform junk into toys, decorations and a makeshift holiday wonderland. Produced in the three-strip Technicolor era as Fleischer’s answer to Disney’s Silly Symphonies, the cartoon mixes emotion, clever mechanical gags and richly colored Golden Age animation.

Hector’s Hectic Life – Widescreen – 8K 60FPS Restoration presents a classic cartoon short newly mastered for modern screens. The film follows Hector, a well-meaning but hopelessly clumsy character whose attempts to get through an ordinary day spiral into one bout of slapstick chaos after another. Designed in the golden age of animated shorts, it showcases energetic character animation, visual gags and timing that still land decades later. This version uses multiple circulating prints plus a standard-definition reference to rebuild a clean, stable presentation. Shot-by-shot work includes re-timing, de-flicker, grain management, gentle color grading and restrained sharpening to protect original linework, along with constrained motion processing to avoid cel-edge shimmer and background breathing.